Hydroponics: Plant Life in Water

Been talking a lot about plants and pastures, and the question on everyone’s mind is probably why (at least, it’s the question on my mom’s mind). Writers research the strangest things for the purpose of developing a world and characters that feel real. It doesn’t matter how fictional the story; a little reality engages readers that much more. So when I write a post about hydroponics, it’s for all the writers like me who decided they wanted a planet made of metal.

Drawing 1-, 2-, and 3-Point Perspective (Interior)

My post on drawing in perspective is still wildly popular. So much so that I even took that knowledge and used it for my setting studies. However, I ended up learning that exterior perspective is a little different from interior perspective. With some research, I set the record straight. And now, I’m sharing that little secret with you. ;)

Drawing 1-, 2-, and 3-Point Perspective (Exterior)

As I’m sketching backdrops for books, I’m learning more about how to draw in perspective. And it’s not easy. The amount of double-checking angles and marking points is as irritating as doing research for a book or rewriting one.

Regardless, I love being able to create realistic dimensions and proper shapes. That takes some understanding of perspective though, which is why I gathered all my sources and am breaking down the elements of 1-, 2-, and 3- point perspective and how to draw within those parameters.

Space and Time Travel: The Known Universe

While my science fiction writing has stayed on Earth, I’m always reaching for the stars and the unknown beyond them. Space in and of itself can be tricky though. With Star Wars, Star Trek, and dozens of other space franchises, there’s a lot of ideas and theories about the unknown blackness and how to travel across it. Luckily, my favorite writing resource has a section on space and time travel canons that gave me hundreds of ideas about how to develop and write a great space novel. Without further a-do, here’s the rules of space and time and the known canons of the unknown.